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| GO, GO, GO WILD DANCERS! THE 2004 EUROVISION SONG CONTEST. | |||||||
| By Louis Cooke |
05.26.04
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| Britain, being
an island, has always been wary of continental Europe. It is reluctant
to embrace the crazy ways of life they have over there, such as their funny
money and their constitution and driving on the right and having a nap in
the afternoon. The Eurovision Song Contest is an annual chance for Brits
to carry out that disassociation through music -- to sit back and laugh
as a parade of pathetically rubbish singers aim to win the respect of their
fellow Europeans for themselves and their country by singing "the best"
song in all of Europe.
Europe takes the nearly five decades old Eurovision Song Contest seriously. But while many countries on the continent enter acts that are already hugely successful at home, the United Kingdom entry is handed out to a B-List star as a chance for a leg-up ... unless that act is last year's Jemini, who became the first UK act to achieve the infamous "nul points". If anything, there's almost a fear of winning, because from a British point of view you have to be spectacularly crap to win the Eurovision. You have to appeal to millions of "music" "lovers" in countries where they still worship people like Johnny Hallyday, and no British act wants to be tarred with that brush. (Not to mention that the country that wins has to host the competition the following year, and foot the expensive bill.) So for a Brit the Eurovision is just a night of mockery at a merry-go-round of camp. The approach is highlighted no better than by the television coverage -- down the years the BBC's host Terry Wogan has developed his own style of wry commentary, mixing disbelief with confusion. "I'm not quite sure what's going on," he said this year, "but then I never am." He's not alone. Eurovision is as crap as it gets. The 49th Eurovision Song Contest
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After last year's winner, Sertab Erener, shown at left, performs her song -- it's on with the show. Our hosts, Korhan Obay (male, dressed like a Hammer vampire) and Melton Cumbul (female, insanely grinning), have arrived on stage by helicopter, and eventually begin introducing the first act. Brace yourself.
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Spain
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Austria Tie Break -- "Du Bist" ("You Are") Fresh-faced all male three-piece, singing in German, with a fashion sense cribbed from N-Sync and dance moves from Boy Band 101. Lots of hair product. Stand-out lyric: "You are the wind beneath my wings." No shit. |
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| Norway Knut Anders Sørum -- "High" The most exciting thing about this song was Knut's silver suit -- and even that didn't shine as much as was presumably hoped. Stand-out lyric: "I wanna heal every wound in you." |
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France
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Serbia-Montenegro
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Malta
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| The Netherlands Re-Union -- "Without You" Two blokes, with floppy haircuts, on stools. One has a guitar. Butch gangster backing singers. The very spirit of Dutch culture: cafes, confused sexuality. Stand-out lyric: Nope. Big, big smiles, though. |
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Germany
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| Albania Anjeza Shahini -- "The Image of You" Albania's debut entry is a typical europop affair, fronted by a dumpy girl in a cheap dress. Absolutely average. Stand-out lyric: "Slave of my love, slave of my emotion." |
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Ukraine
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| Croatia Ivan Mikulic -- "Dajes Mi Krila" ("You Are the Only One") Terry Wogan tells me this was top of the Croatian charts for several weeks, and I guess only the Croatian people know why. Stand-out lyric: Nah. |
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Bosnia-Herzegovina
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Interlude With twelve down, twelve to go, our hosts try to give us a glimpse of the parties around Europe... * Live and direct to Hamburg, Germany, where there are 20,000 people "absolutely freaking out", according to the German presenter. The biggest open-air |
![]() Melton Cumbul and Korhan Obay. |
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party in Europe, he says. * Live and direct to a square in Istanbul, where ... no-one has told the woman presenting that she is on air. So we see her look down, shuffle a little bit, and maybe pick -- at least rub -- her nose. Can she hear us? Can she? No. * Live and direct to Las Palmas, in the Canary Isles. Or rather not -- the feed is broken. Melton apologizes, smiles, blushes and continues to burst out of her bright yellow dress. One out of three ain't bad. The show must go on. "The choice is difficult," she says to Korhan. "Yeeeesss, and it is about to become more difficult." No kidding. I'm about to stick an ice-pick in my skull.
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Belgium
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Russia
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FYR Macedonia
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Greece
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Iceland Jonsi -- "Heaven" A slow, mournful ballad -- (almost welcome) relief from the drum machines of previous entries. Stand-out lyric: "I can't think straight" |
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| Ireland Chris Doran -- "If the World Stops Turning" Dreary dreary dreary ballad by a nice-looking feller. Crap in an average, unexciting way. Stand-out lyric: "If my world stopped turning, and God should take it all..." -- the only song in the final to refer to a deity. |
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Poland
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U.K.
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Cyprus
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Turkey
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Romania Sanda Ladosi -- "I Admit" I admit that I didn't watch any of Sanda Ladosi's performance. I was out of the room at the time, penning a suicide note after watching all of this crap. |
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| Sweden Lena Philipsson -- "Det Gor Ont" ("It Hurts") They're right. She *does* look a bit like Helena Christiansen, with chunkier thighs. And she knows how to use that mic stand. But the chorus is depressingly deflated. Stand-out lyric: "It hurts!" |
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And the Winner is... That's it. All 24 finalists have performed. Now, Europe must decide on a winner. While only 24 countries performed in the final, all 36 "countries" "in" Europe are allowed to vote. (Andorra and Monaco are regarded as countries, and Israel is permitted European-ness for the contest.) Each country awards points to the ten entrants at the top of their poll. The maximum points award is 12, then 10, then 8 and 7, 6, 5 and so on down to 1. The collecting of votes is long and tedious. Non-entity after non-entity praise the host country in their language, the host's language and broken English. What's more, some parts of the vote are utterly predictable. Eurovision has a history of biased voting, but this year it's particularly bad. The Balkan countries stick together, as do the Russian satellite states. Monaco give full marks to France, Andorra full marks to Spain. Greece, Malta and Cyprus tend to favor each other, though it's not as certain, and the same goes for the Scandinavian states. By the end, it is done without shame -- "And the twelve points go to, our neighbours!" -- and there are even boos from the crowd inside in Istanbul. It quickly settles down to a four horse race between Serbia-Montenegro, Ukraine, Greece and Turkey. There are digs at Turkey's failure to qualify for the European soccer championship this summer, Greece takes the opportunity to plug the Olympic games (leading Wogan to smirk "You'll be ready, we'll be there") and the Polish delegate clutches a big plastic flashing heart. But the monotony renders it very difficult not to channel-hop or get up to make tea.
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But then, there is cheering in the green room and a throng of people hugging. A bar at the bottom of the screen informs me that the Ukraine has won -- Ukraine, Ruslana, Ruslana, those crazy Xena people have won! She eventually brings her clan back on stage to accept the award from the Turkish prime minister. |
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As she holds it aloft, her arm trembles -- that glass thing looks heavy -- spoiling her hard image a bit. Last-year's-winner Sertab Erener comes on wearing a dress like the one Sarah Jessica Parker has on |
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in the Sex and the City credits, and promptly gets one of her high-heel
shoes stuck in a metal grille in the floor. She gives Ruslana a big hug
and then disappears so there can be a reprise of the winning song. |
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